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Kenny Larkin
Kenny Larkin is distinctly one of the world’s most premiere leaders of Detroit techno in the electronic music industry today.

As a producer, DJ and remixer, Kenny has mesmerized crowds and fans across the globe for the last twenty years with his music. Since 1990, Larkin has cemented his name in the pages of dance music history along with fellow Detroit Techno music mates, Derrick May, Carl Craig and Kevin Saunderson.

To most electronic music aficionados, Detroit native Kenny Larkin is a man who needs no introduction. His impressive 20-year history of creating arguably some of the most timeless, soulful techno ever created, is unquestionable. But, to the newer generation of club-goers, who aren’t aware of his contributions, now is the time where Kenny re-establishes his position as one of the most valuable forces in dance music today.

On his popularity, Larkin states:

“I’m more like the artist’s artist. I’ve had very successful electronic artists telling me all constantly how much I’ve influenced them, but, to the newer generations of club-goers, my name might not be as well known. I like to say, I’m famous for not being famous!” -KL

Since the beginning of his career, Larkin’s profile was never considered massive, nor did he ever serve as the “face of techno.” Yet, the respect and admiration he garners from his fans, electronic musicians, and journalists globally leave little doubt as to his relevance, and influence in a genre that sometimes can be described as lacking in feeling, warmth and musicality.

It is that musicality that allowed him to give us an unforgettable collection of original material and remixes, such as the amazingly groovy Inner City “Share My Life.” Many consider this rework one of the best Inner City remixes ever done.

One of Kenny's most memorable remixes was Larkin’s version of Radioslave’s “Don’t Need A Cure For This.” Released in late 2010, Larkin effortlessly displayed his penchant for melody, and his signature jazzy keyboard riffs. The keyboard line, alongside the driving rhythm, resulted in the remix becoming one of the most charted remixes of 2010-11 on popular electronic music websites Resident Advisor, and Beatport.

Never to rest on his laurels, Larkin delivered one of the biggest remixes of 2012. Less jazzy, but no less impressive than his Radioslave remix, Larkin’s expertly crafted version of Inner City’s, “Future,” which he coincidentally co-produced, and co-wrote, quickly climbed to the number one spot on Beatport’s Top 100 Techno Chart.

“Quality, not quantity...” -KL

The building blocks of his signature sound are rooted in his early exposure to jazz, funk, and soul, in addition to other more electronic influences. These styles all serve as the backbone of his unique style. This was a key component in the formation of the second wave of Detroit Techno, alongside artists such as Carl Craig. Larkin’s small, but impressive catalog of work of over the years, all displays his ability to chisel out of the often cold hard machines, his own sound that is all heart and soul. Quite simply, this is electronic soul music.

Larkin’s sound continues to stand the test of time. His unique, musical approach to dance music transcends expectations in balance with meeting his own ambitions and meanwhile pleasing “Detroit-Days” devoted followers all the world over. As his popularity grows, he will no doubt convert new fans to believers and show them that music...REAL music, and Techno can in fact coexist in the same fuzzy place in the heart.

Famous for not being famous?

Not for long.
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